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Close-up of National Trust pink floral wallpaper (Poppy Trail - Masquerade) on the upper wall and yellow (Yellow-Pink) below.

Presenting National Trust Papers III

December 22nd, 2022
Little Greene

We are delighted to present National Trust Papers III, a versatile collection that transforms historic designs into eight timeless wallpapers.

National Trust Papers III is an authentic collection of eight different wallpapers which represent over 200 years of decoration. Each design has been thoughtfully adapted and recoloured to create 45 beautiful colourways, perfect for use within the modern interior. The collection employs traditional methods of printing that have remained unchanged for over 100 years.

Discover the collection…

Bird & Bluebell c. 1830-1870

National Trust green floral mural wallpaper featuring birds and butterflies (Bird & Bluebell - Pea Green) behind a wood desk.

Close-up of National Trust green floral mural wallpaper featuring birds and butterflies (Bird & Bluebell - Pea Green).

Wallpaper: Bird and Bluebell – Pea Green, Ceiling: Dorchester Pink, Window Frame: Green Stone - Light, Baseboard: Puck

This elegant mural featuring birds, bees and bluebells has been created from remaining fragments of wallpaper. Originally on a striped background, the remaining source material has been adapted, transformed and recoloured to suit the contemporary interior.

Volières c.1950

Bottom of stairs with grey bird print wallpaper (Volieres - French Grey) and a small table with yellow gingham tablecloth.

Close-up of National Trust grey bird print wallpaper (Volieres - French Grey) and a table with yellow gingham tablecloth.

Wallpaper: Volières – French Grey, Panelling: French Grey Pale, Wall, Chair Rail and Baseboard: French Grey

A more contemporary find, this wallpaper featuring 1950s style doves, ribbons and flowers is a reimagination of an 18th-century design.

Poppy Trail c.1890-1900

Bathroom with pink floral wallpaper (Poppy Trail - Masquerade) on the upper wall and yellow on the bottm half (Yellow-Pink).

Close-up of National Trust pink floral wallpaper (Poppy Trail - Masquerade) on the upper wall and yellow (Yellow-Pink) below.

Wallpaper: Poppy Trail – Masquerade, Ceiling: Masquerade, Panelling and Chair Rail: Yellow-Pink

This flamboyant floral design featuring large, stylised poppies is a classic example of those in production during the late 19th century.

Although the designer is unknown, it is thought that it may have been the work of Arthur L. Gwatkin who produced papers of a very similar feel.

Briar Rose c.1845-1915

Green floral wallpaper (Briar Rose - Green Verditer) with deep green ceiling (Mid Azure Green) and baseboards in living room.

Close-up of National Trust wallpaper (Briar Rose - Green Verditer) with a deep green baseboard.

Wallpaper: Briar Rose – Green Verditer, Ceiling and Baseboard: Mid Azure Green, Fireplace: Green Verditer, Window Frame: Whitening

Kitchen counter with neutral green floral wallpaper (Briar Rose - Grene Stone) and neutral green paint on the walls.

National Trust neutral green floral wallpaper (Briar Rose - Grene Stone) surrounded by neutral green paint on walls.

Wallpaper: Briar Rose – Green Stone, Ceiling, Wall and Upper Panelling: Green Stone - Pale, Lower Panelling, Chair Rail and Baseboard: Green Stone - Light, Kitchen Units: Book Room Green

Characterised as being in the ‘Arts and Crafts’ style, evident in the densely stylised natural motifs, this wallpaper was originally designed by children’s book illustrator, Walter Crane. Many of Crane’s drawings became nursery wallpapers and ‘Briar Rose’ began its life as the background to a wallpaper called ‘The Sleeping Beauty’, which featured characters from Sleeping Beauty among the roses.

Upper Brook St. c.1920

Dining room with yellow mural wallpaper (Upper Brook Street - Soleil) and a dining room table with wooden chairs.

Dining room with yellow mural wallpaper (Upper Brook Street - Soleil) and a dining room table with wooden chairs.

Wallpaper: Upper Brook Street – Soleil, Door: Pale Lime, Baseboard: Puck

This design features brightly coloured kniphofia flowers, commonly known as torch lilies or red-hot pokers (African in origin but named after German horticulturalist Johan Hieronymous Kniphof). They were recorded as having been hand-painted and stuck over a pre-hung wall covering in a late 18th-century Upper Brook Street house as a bespoke decoration.

Lovers’ Toile c.1950

National Trust dark green French Toile wallpaper (Lovers' Toile - Puck), dark green (Puck) door and white bedding.

Close-up of National Trust dark green French Toile wallpaper (Lovers' Toile - Puck) and a fireplace surround in the corner.

Wallpaper: Lovers' Toile – Puck, Ceiling, Woodwork and Chair Rail: Puck

This contemporary take on a classic pattern is a post WWII reinterpretation of an 18th-century French Toile de Jouy design. Featuring vignettes of people in activity including fishing, dancing and gardening, this single colour design has been printed in five modern colourways.

Dahlia Scroll c.1890-1900

Living room with yellow floral wallpaper (Dahlia Scroll - Giallo) with a chair, cabinet and fireplace.

Close-up of National Trust yellow floral wallpaper (Dahlia Scroll - Giallo) with two brown ornaments in the right corner.

Wallpaper: Dahlia Scroll – Giallo, Ceiling, Window Frame, Arch and Baseboard: Silent White - Pale, Crown Molding: Slaked Lime - Dark

A scrolling floral design reminiscent of the early work of Voysey. This two-toned wallpaper features an enlarged Dahlia, a motif typically found in Japanese design, whilst the sinuous plant forms based on a single flower are also characteristic of Art Nouveau.

Hoja c.1890-1900

Dining space with a tonal blue wallpaper (Hoja - Air Force Blue) and white (Shirting) cupboard with blue table and chairs.

Close-up of National Trust tonal blue wallpaper behind a grey-blue bowl and eight books stacked on top of each other.

Wallpaper: Hoja – Air Force Blue, Ceiling and Cupboard: Shirting, Chair Rail & Baseboard: Air Force Blue

This classic pattern featuring scrolling foliage has been surface printed to achieve a traditional, painterly finish. Although the design features elements from 17th century Spanish embossed and gilded leather, it is actually thought to have been of late 19th century origin due to its print substrate being machine printed paper.

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